Is Tirupati Balaji Temple a Buddist Temple

So many scholars, from all sides of the spectrum have many theories on why there may be previous structure at the present Tirupati temple. Let us see ourselves the evidences.
We are not going to any religious discussion or philosophical discussion, we will stick to the main point, was there a Buddhist shrine at the site of Venkateshwara temple at Tirupati.     

Buddhist Temple
Indology scholar Romila Thapar told -Dig underneath every Hindu temple, there will be a buddhist temple. If we take example of Adil shah of Bhamani Dynasty, his court poet farishta tells the king demolished more than 300 major temples in karnataka and built mosques there, even in this case we cannot apply Romila Tapar and say dig underneath every moque that adil shah built, you will find a temple, because many mosque are there which were not built demolishing a temple. The Romilla Tapar comment is pure Indologist leftist leaning. Here she is not providing any proof's, but plain rhetoric.



karthikeya( Murugan) temple.
One more claim put forth by Dravidian scholars of tamil nadu. Originally it was a Karthikeya temple and was converted to a vishnu temple. Bala means young unmarried same as Kumar(sanskrit) and Kumaran(Tamil) , which denotes to karthikeya ,but in tamil version eventhough he is called kumaran, murugan is married to Devyani(deva army) and valli ( tribal girl). So this argument is defeated there , that the murugan can be called balaji. More than that In South he is called Venkateshwara (Lord of Venkata) and only in north India he is called Balaji and in recent times.

First they have to prove that there was a Murugan worship was prevalent in the first millienia in tamil nadu and temples are built for murugan, For this we dont have a answer.

second Pallava were ruling in Kanchi upto 9th century AD and tamil kings areas were below the pallava region.

Third Tirupathi came under Banas and Nolambas for most part in the first milliena. Both being Kannada Dynasties. So we dont see any murugan temple being built. Since the Kannada/ Tulu version of Karthikeya is Shanmuga. If it was a karthikeya temple, then the kannada kings might have called it shanmuga temple.

Fourth and most important Tamil literature right from Sangam works have always claimed that Tirupathi (Thiruvengadam)  lies north of Tamil Nadu boundary.

So Tamil Scholars dont see much credit in Dravidian scholars argument that Tirupati is a Karthikeya or Murugan temple. Indology and Dravidian scholars who have worked tirelessly to undermine authentic Indian history seems have shot themselves in their foot here.

Temple Structure

First temples in south India were built in 4th century AD in Karnataka and Andhra. Even in 6th century AD, most of the temples built were Rock cut temples, not standalone temples that we have today. All the early temples like Mamallapuram of Pallavas are also rock cut temples. So a hill temple Hindu or Buddhist standalone in Thirupathi is unthinkable.

When was Tirupati temple built.

Puranas
The Purana Accounts are legendary and is not helpful in finding the probable date of the temple. Puranas concentrate how Vishnu came voluntarily to take his place there. Varaha temple at the foothills of Tirupati predates venkateshwara temple at the top. The only account relavant here is Tondaman (pallava) started the worship of vishnu here. This Thondaman assisted his brother(Akasa Raja) in administration. Thondaiman had a foster daughter in Tirupati and she was married to venkatesa. After the death of Akasa Raja (left a young prince), he and his nephew fought and tondiaman felt very weak ,so got the weapons from venkateswara . The war ended Indecisively and the country was divided into two. The one closer to Vengadam (Tirupati) was given to thondaman and the other farther away given to his nephew. Tondaiman built the temple and started the festivals. This Tondaman lived in Kaliyuga. There is a separate Thondaiman dynasty post 12th century AD. But Dravidian scholars want to identify Thondaiman as Pallava.

Sangam Literature
We dont comes across any mention of temple in the vengadam (Tirupati) hills. Tirupati was on northside of the boundary of Tamil speaking region. Beyond this region vadukar lived with Thirayan as the chief and people spoke a language not understandable to tamils. So no help in determining when the temple was built.

Alwar (Bakti tradition)
One Alwar called poigai Alwar gives around 12 referrences to temple at Tirupati and Vishnu as presiding deity. Poigai Alwar wrote Naalayira Divyap Prabhandham on the vishnava places. In some places he refers to Ilam kumara koman (May Indicate Subramanya, but the reference here is young fellow). Alwar Bhutan refers to Tirupati and Presiding diety in around 8 references in his works. Pey Alwar also refers to Tirupati. These three alwars considered worshipping vishnu with Vedic rituals as the supreme form of worshp. Some refer to the diety as ardhanari, which refers to shiva. We have to come to the conclusion here, eventhough the diety is referred as ardhanari, it may not be peculiar to shiva alone at those times. And the same goes for Ilam kumaran , may not be peculiar to subhramanya. Even though we come across stray references , we are given solid references to prove the diety is vishnu, so we should not vacillate in our judgement that the diety is not vishnu. Ardhanari shows that the temple is equally important for Lakshmi. So all the early Alwars refer to Tirupati and Vishnu diety. Tirumalisai (Bhakti sara - Sanskrit) contemproary of these three alwars wrote that he has seen all faiths and only found vishnu as great. Now we have to date the Alwars ,which is again  controversial. That requires a whole article. But let us try. There is a reference to vairamegha in the early alwars work, that seemed to be identified as Rastrakuta Dantidurga, contemproary of Nandivarma pallava. But the identification needs to be proved. Commentator of Alangara kranta named Yapparungulam belonging to 11th to 12th century AD claims he is desciple of Poigaiyar (poigai alwar)and quotes two stanzas from the authors work. Tirumalisai is dated to 11th century AD. But one thing we can say is all the Alwars were born after the temple were built which was already famous.

Silapatikaram
Silapadigaram a buddhist work tells that Tirupati is Vishnu temple. In this story a Brahman of Mangadu in Malainadu goes to Tirupati and Srirangam and sings in praise of Vishnu.The Tirupati is said to be so famous that people from west coast also went to the temple. So this buddhist epic tells very clearly that presiding diety of Tirupati is Vishnu. Dating of cilapathikaram is controversial, we have already seen in a separate article.

So let us find who this thondaman is?
We find from Sangam literature sources that Vengadam changed hands from kalvar chieftain pulli to Tondaman before the time of pandyan king who won a great victory in Talaiyalanganam. The King who won in Talaiyalanganam is mentioned in Sinnamanur plates dated to 11th century AD and kings mentioned just before this date. The same source says Tondaman ruling from pavattirai (Nellore Dist, AP). We have one more Thondaman Ilam Thirayan ruling in Kanchi. Now the Foster Daugher born to the Tondaman is not legitimate and he is said to have found her on the hills and later finds out that she is his daughter. This has been equated with Naga princess story of karikala. But Karikala meets Naga princess in outskirts of Kaveripattanam, not in Tirupati hills. So we cannot identify Tondaman with karikalan. But there is a pallava story of Pallava marrying naga princess in an inscription in kanchi as well. Perumban Arupadai which gives specific details about Kanchi Vishnu temple of Thondaman Ilam Thiraiyan is silent on Tirupati or association of thiraiyan with Tirupati, so we cannot link these two stories. Thiraiyan had a brother and nephew. He fought with the Nephew and uncle for the throne. Alwars talking about war between southern king (pandya) and Northern ruler (pallava).

The Tirumangai Alwar says that the Thiraiyan kanchi was occupied by one vairamegan. The vairamegan is suposed to be Rastrakutas. Two Rastrakutas occupied the capital one is Dandidurga and other Govinda II. This story of fight between brother and Nephew looks similar to Kampavarman pallava(relative of Western Gangas) and his kid brother Nrptunga Pallava(relative of Pandyas and also Rastrakutas). This story can reveal the struggle between the last war of succession in Pallava Dynasty before Aditya Karikalan unsurped the throne.

Inscriptions
Uttaramallur by Nandivarman pallava II is the first inscription to refer to vengadam, there is no temple here still. The hill is just mentioned as Vengada ,not Thiruvengada(Sri Vengada).
In 8th and 9th centuries AD, Many Visnu temples near Tirupati received Grants from many kings, but none was given to Tirupati temple. But the same can be said about Buddhist or Murugan or Jain Temple , Kings at that time were secular, so there should be a grants even if it is any of the other holy places.
In TTD gives eleven inscription of pallavas. Earliest belong to Dandivikramadeva , which may correspond to period 833-34AD.

Even through many scholars claim many dates for Tirupathi temple construction, First Inscription in Tirupati temple is by Dandivarman pallava(830AD). So the Temple has to be built during that time.

Tirupati Debate
Point is the debate about Tirupati is not just today ,but it is there right from 11th century AD. Ramanuja made arguements to kings to establish the primacy of Vishnu in Tirupati. For this we have to establish the date of Ramanuja.

 Date of Ramanuja
There was a Vaishnavite Devotee called as Nadamuni. He belongs to Mannarkovil in south Arcot district. He spent most of the time in the village and sometimes in Kurukaikkavalappan Kovil, a nearby village, which was just mile after the chola capital Gangaikonda Cholapuram (Named so,After Western Ganga Territories were absorbed into chola empire in 1022AD). when he was in Kurukaikkavalappan Kovil village, he heard vaishnavite devotees singing a song in praise of Vishnu, which was Tiruvoimoli of Nammalvar. He asked the pilgrim to repeat the verses. But the pilgrim knew only ten lines of the 1000 lines poem. So he went in search of the work. He reached Kumbakonam, he got nothing. So he went to Tirunagari in Tirunelveli the native place of Nammalvar. His attempts were futile there also. So he sat under the tree of temple ,where Nammalvar is supposed to have practiced Yoga. He chanced on someone who was direct disciple of Nammalvar and got the full work. He brought the work to srirangam and revived the festival started by Thirmangai Alvar. Having done this, he went on pilgrimage to all the vaishnava shrines in the country. He went to Abhobilam and Tirupati. He went back to Tirupati as he welt the pooja arrangements were not proper. His grandson Alavandar Yamunait- turaivar or Yamunacharya. For the arrangements to become proper, he asked one of his disciples to volunteer to stay in the hill and conduct the worship in proper way. One of his grandsons Thirumalai Nambi volunteered to do the service. Thirumali Nambi settled down there and planted a garden and took upon himself to deliver water for the diety daily from a waterfall little distant from the temple. One of the young sisters that Thirumalai nambi took with him was married to one Kesava Somayaji of Sriperumbudur. The offspring of this marriage was Ramanuja. Ramanuja's date of birth, according to the traditional account of his life,is Kali 4118, A. D. 1017. The other date given of course is Saka 937 bya chronogram. Going by the story we have here ,the date has to be at the fag end of 11th century AD. The same sources give date of Nadamuni to 3684, which would mean A. D. 582-83. So these date cannot be trusted. Ramanuja visted the tirupati temple once in his chilhood. The temple after Thirumalai Nambi was managed well except during one time of Gopinath. The local ruler Yadavaraja found some dispute between Shaivas and Vaishnavas regarding the temple and called in court the warring parties to settle the matter. Ramanuja explained clearly that the temple is vaishnavite and the matter was settled that the temple was Vaishnavite. And the Vaishnavites were given more unoccupied land in the base of the hill for settlement. So through the discussion we have seen that the Ramanuja is in 11th and possibly extended to 12 century. So the earliest dispute seems to be between Shaivites and vaishnavites, which has been decided in favour of Thirupati being Vishnu temple.

Conclusion
The Conclusion is that the Tirupati is a Vishnu temple all along. Since the temple has been built in 9th century AD. It is after 9th century AD that the hill is said to be holy place. So any account which says that the hill is holy(sri or Thiru venkata) is after 9th century AD. This applies any work or devote singing on Tirupati. The dispute seems to be primarily between Shivite and Vaishnavite, because of the Shiva Temple at the base of Tirupati which predate the Tirupati temple. Indologist seems to have introduced some confusion here. There are no inscriptions about Tripati temple, before 9th century AD, because the temple did not exist then, not because it was a Buddhist Shrine.

References
Tirupati Balaji was a Buddhist Shrine
by K. Jamanadas
History of Holy Shrine of Sri venkatesa in Tirupati by Krishnaswamy Aiyangar

Photos
Tirupati Tirumala
Cauvery Crafts
Ramanuja
Divyadesam
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Related Posts
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Myth of Tamil Sangam 
Date of Silapathikaram
Origin of Pallavas
Murugan  Tamil God
Shanmuga Karthikeya Muruga Skanda
Date of Purananooru
Date of Karikala
Date of Buddha
Origin of Buddha Image

Myth of Independent Tamil Culture

We have theory of North-South contrast and an unknown Dravidian substratum over which the layer of Aryan culture was deposited. This view is only milder than that of the proponents of a separate and secular Tamil Culture, who insist on a physical and cultural Aryan-Dravidian clash as a result of which the pure Dravidian culture got swamped.Let us analyze the History,

Politics of language translation and Identity
Rajagopalachari, a political activist and Tamil scholar coins a word ‘Yakkai Rasayanam’ to denote ‘organicchemistry’. The ‘Yakkai’ has ‘pure’ Tamil root while Rasayanam is culled from Sanskrit but of common use among Tamil people.Yakkai connotes ‘organized’ and alludes to ‘vitalism’ and ‘chief organiser’, that is God. So people find this not secular.
The current technical term in usage ‘Karima Vediyal’(Carbon Chemistry) was suggested by Chennai Magahana Tamil Sangam in 1938 is exorcised of any reference to ‘tradition’ and as matter of fact is very secular. The term Karima means ‘Carbon’ and Vediyal means ‘Chemistry’. However, the term Vediyal is a modern word coined from a root word ‘Vedi’ meaning ‘transmute’. The verb ‘Vethithal’ implies transmutation of baser elements in Siddha tradition of ‘alchemy’. The word Vedi also came to denote drug used by Siddha school of medicine, derived not from plant sources but from chemical source’. How did this secularization of coining of terms
come about? Let us see

Social historians posit that during 1930s there were One group represented the traditional elite - largely dominated by Brahmins and consisting of elite from upper caste Hindu section were characterized by their sympathy towards ‘tradition’- meaning Sanskrit traditions, and in politics advocating ‘Pan Indian Nationalism’. Another group was the Tamil Vellala and non-Brahmin upper caste elite, who articulated ‘Tamil identity politics’ drawing inspiration from the Tamil past. Thirdly, there were the Left/self-respect movements, which not only questioned the ‘past’ but also ‘invalidated’ it.

As the balance of power of the third group swelled in the public sphere during the 1940s; in the ensuing social upheaval, impact of the self-respect movement’s rationalism and the left ideology geared the ‘rediscovery programme’ in a direction of taking it to secular plane away from the‘past tradition’ or ‘indigenous religion’. Rationalism was privileged in the rediscovery programme. E.V. Ramaswamy Naicker (Periyar) have very rigid ideas about the ancient history of Tamil Nadu. First, despite all evidence to the contrary,they still insist on the Aryan invasion theory in its most violent version, turning most North Indians and upper-caste Indians into descendants of the invading Aryans who overran the indigenous Dravidian s, and Sanskrit into a deadly rival of Tamil. Consequently, they assert that Tamil is more ancient than Sanskrit, and civilization in the South older than in the North. Once Tamil Nadu's Education minister said The Dravidian civilization is older than the Aryan. It is not uncommon to hear even good Tamil scholars utter such claims. Let us Analyse the evidences

Pre-historical
Culturally, the megalithic people of the South shared many beliefs and practices with megalithic builders elsewhere in the subcontinent and beyond.

Script
The earlier Tamil inscriptions were written in Kadamba script, Pallava grantha and Vetteluthu Inscriptions after the eighth century A.D. Contain characteristrics similar to the one now in vogue The Tamil script(see also Tamil Brahmi) infact flipflopped between Pallava Granta and Vetteluthu.

Vedic Gods and Vedic culture in Tamil Literature
Tolkappiyam (date) is modelled on the Sanskrit grammar of the Aindra school. Tolkappiyam adopts the entire Rasa theory as worked out in the Natya Sastra of Bharata. It also refers to rituals and customs coming from the Aryans,a word which in Sangam literature simply means North Indians of Vedic culture. Tolkappiyam states that marriage as a sacrament attended with ritual was established in the Tamil country by the Aryas and it uses the same eight forms of marriage found in the Dharmashastras. It mentions the caste system or fourfold jathis in the form of Brahmins, Kings, Vaishyas and Vellalas, and calls Vedic mantras the exalted expression of great sages. Tolkappiyam formulates division of the Tamil land into five regions (tinai), each associated with one particular aspect of love, one poetical expression, and also one deity: thus the hills (kurinji) with union and with Cheyon (Karthikeya); the desert (palai) with separation and Korravai (Durga); the forests (mullai) with awaiting and Mayon (Vishnu-Krishna); the seashore (neytal) with wailing and Varuna; and the cultivated lands (marutam) with quarrel and Ventan (Indra). Vedic gods are considered one with the tamil land. The emperor of Tamil poetry, Kambar, describes Sanskrit as the "devabhasa"

Ettuttokai abound in references to many gods Shiva, Uma, Murugan, Vishnu, Lakshmi and several other Saktis. The Paripadal consists almost entirely of devotional poetry to Vishnu. One poem begins with a homage to him and Lakshmi, and goes on to praise Garuda, Shiva on his majestic bull, the four-faced Brahma, the twelve Adityas, the Ashwins, the Rudras, the Saptarishis, Indra with his dreaded thunderbolt,the devas and asuras, etc., and makes glowing references to the Vedasand Vedic scholars. The Purananuru in addition sees Lord Shiva as the source of the four Vedas and describes Lord Vishnu as blue-hued and Garuda-bannered. A poem in Akananuru, declares that Shiva and Vishnu are the greatest of gods. Not only deities or scriptures, landmarks sacred in the North, such as the Himalayas or Ganga, also become objects of great veneration in Tamil poetry. North Indian cities are referred to such as Ujjain or Mathura after which Madurai was named. Court poets proudly claim that the Chera kings conquered North Indian kingdoms and carved their emblem onto the Himalayas. They clearly saw thesubcontinent as one entity.

Kural is often described as an Atheistic text a misconception. Valluvar's 1,330 mostly deal with ethics (aram), polity (porul) and love (inbam), following the traditional Sanskritic pattern of the four objects of human life: dharma, artha, kama, and moksha, the last implied rather than explicit. Still, the very first decade is an invocation to Bhagavan. The ocean of births can be crossed by those who clasp God's feet, and none else. The same idea recurs later, for instance in this profound thought, Cling to the One who clings to nothing and so clinging, cease to cling. The Kural also refers to Indra, to Vishnu's avatar of Vamana , and to Lakshmi, asserting that she will shower her grace only on those who follow the path of dharma. There is nothing very atheistic in all this, and in reality the values of the Kural are perfectly in tune with those found in several shastras or in the Gita

Shilappadikaram(Date) which relates story of Kannagi and Kovalan, it opens with invocations to Chandra, Surya, and Indra, all of them Vedic Gods, and frequently praises Agni, Varuna, Shiva, Subrahmanya, Vishnu-Krishna, Uma, Kali, Yama and so forth. There are mentions of the four Vedas and of Vedic sacrifices being faultlessly performed.In more than one place, writes V. Ramachandra Dikshitar, the first translator of the epic into English, there are references to Vedic Brahmans, their fire rites, and their chanting of the Vedic hymns. The Brahman received much respect from the king and was often given gifts of wealth and cattle. When Kovalan and Kannagi are married, they walk around the holy fire, a typically Vedic rite still at the centre of the Hindu wedding. Welcomed by a tribe of fierce hunters on their way to Madurai, they witness a striking apparition of Durga, who is addressed equally as Lakshmi and Sarasvati, the three Shaktis of the Hindu trinity. There are numerous references to legends from the Mahabharata, the Ramayana, and the Puranas.

After worshipping at two temples, one of Vishnu and the other of Shiva, the Chera king Shenguttuvan goes to the Himalayas in search of a stone for Kannagi's idol, and bathes it in the Ganges. Manimekhalai even though is a Buddhist work, it also mentions many Vedic and Puranic gods, and attributes the submergence of Puhar tothe neglect of a festival to Indra. Silapathikaram and Manimekhalai, which amply testify that what we call today Hinduism, Jainism and Buddhism coexistedharmoniously. (See Also Divine Tamil)
As the archaeologist and epigraphist R. Nagaswamy remarks, The fact that the literature of the Sangam age refers more to Vedic sacrifices than to temples is a pointer to the popularity of the Vedic cults among the Sangam Tamils.

Agastya, the great Vedic Rishi, as the originator of the Tamil language. He is saidto have written a Tamil grammar, Agattiyam, to have presided over the first two Tamil Sangams, and is even now honoured in many temples of Tamil Nadu and worshipped inmany homes. One of his traditional names is Tamil muni. The Shilappadikaram refers to him asthe great sage of the Podiyil hill,and a hill is today named after him at the southernmost tip of the Western Ghats.

P. S. Subrahmanya Sastri says a knowledge of Sanskrit literature from the Vedic period to the Classical period is essential to understand and appreciate a large number of passages scattered among the poems of Tamil literature.In other words, Vedic and Puranic themes are inextricably woven into Sangam literature.
Ramachandra Dikshitar writes Either the people did not look upon religious distinctions seriously, or there were no fundamental differences between one sect and another

Historical Period
But here let us just take a look at the rulers. An inscription records that a Pandya king led the elephant force in the Mahabharata War on behalf of the Pandavas, and that early Pandyas translated the epic into Tamil. The first named Chera king, Udiyanjeral, is said to have sumptuously fed the armies on both sides during the War at Kurukshetra Chola and Pandya kings also voiced such claims of course they may be devoid of historical basis, but they show how those kings sought to enhance their glory by connecting their lineage to heroes of the Mahabharata. So too, Chola and Chera kings proudly claimed descent from Lord Rama or from kings of the Lunar dynasty, in other words vedic roots. Karikala, was a patron Vedic religion and while the Pandya king Nedunjelyan performed many Vedic sacrifices, and the dynasty of the Pallavas made their capital Kanchi into a great centre of Sanskrit learning and culture.

K.V. Raman summarizes says
The Pandyan kings were great champions of the Vedic religion from very early times According to the Sinnamanur plates, one of the early Pandyan kings performed a thousand velvi or yagas Vedic sacrifices. Though the majority of the Pandyan kings were Saivites, they extended equal patronage to the other faiths, and included invocatory verses to the Hindu Trinity uniformly in all their copper-plate grants. The Pandyas patronised all the six systems or schools of Hinduism. Their religion was not one of narrow sectarian nature but broad-based with Vedic roots. They were free from linguistic or regional bias and took pride in saying that they considered Tamil and Sanskritic studies as complementary and equally valuable.
Nilakanta Sastri goes a step further and opines, There does not exist a single line of Tamil literature written before the Tamils came into contact with, and let us add accepted with genuine appreciation, the culture of North Indian origin.

The Myth of Dravidian Culture
And yet, such statements do not go deep enough, as they still imply a North-South contrast and an unknown Dravidian substratum over which the layer of Aryan culture was deposited. This view is only milder than that of the proponents of a separate and secular Tamil Culture, who insist on a physical and cultural Aryan-Dravidian clash as a result of which the pure Dravidian culture got swamped. As we have seen, archaeology, literature and Tamil tradition all fail to come up with the slightest hint of such a conflict. Rather, as far as the eye can see into the past there is every sign of a deep cultural interaction between North and South, which blossomed not through any imposition but in a natural and peaceful manner, as everywhere else in the subcontinent and beyond.
M.G.S. Narayanan says
The Aryan-Dravidian or Aryan-Tamil dichotomy envisaged by some scholars may have to be given up since we are unable to come across anything which could be designated as purely Aryan or purely Dravidian in the character of South India of the Sangam Age. In view of this, the Sangam culture has to be looked upon as expressing in a local idiom all the essential features of classical Hindu culture. Swami Vivekananda says, The South had been the repository of Vedic learning.

Conclusion
It should now be crystal clear that anyone claiming a separate,pre-Aryan or secular Dravidian or Tamil culture has no evidence to show for it, except his own ignorance of archaeology, numismatics and ancient Tamil literature. There is no meaning in the word Dravidian except either in the old geographical sense or in the modern linguistic sense, racial and cultural meanings are as unscientific as they are irrational, although some scholars in India remain obstinately rooted in a colonial mindset.

The simple reality is that every region of India has developed according to its own genius, creating in its own bent, but while remaining faithful to the central Indian spirit,So is Tamil culture.

Myth of Murugan the Tamil God

I have dealt with theories in murugan origin in a seprate article. Now let us see one of the common held misconception that of

1. Muruga is tamil god and of tamil only.
2. Muruga patronized tamil language and literature.

We have seen that murugan is not tamil origin and various theories surrounding murugan origin. So that question is settled now that murugu is all India god as any.

Next let us see how muruga started patronizing tamil. Let us see the history.

There is no reference to Murugan in tamil literature until Kanda puranam got written in tamil from skanda purana in 14^th century AD. All the legends come later. Eventhough there is talk of murugan in Sangam age , there is no evidence of that.

Kartikeya - Differences in puranic and Tamil traditions

There seems to be some intriguing differences in the traditions associated with Kartikeya in the Puranic and Tamil. The Sanskrit epics and Puranas seem to indicate that he was the eldest son of Shiva, as the tale of Shiva's marriage to Parvati indicates. In the Shiva-Purana, he is seen helping Shiva fight the newly born Ganesha, Shiva's other son, when Ganesha stopped Shiva from entering his home in Kailasa. Tamil tradition states he was the younger of the two. In the north, he is generally seen as a bachelor hence the name kumara whereas the southern tradition has him married to two wives.



History shows that the legend comes from sanskrit and puranic traditions , with imperfect translations and introducing legends of their own while doing so. The translation Kanda puranam and Thiruvilayadal and susequently Thirupugazh has fundamentally altered the Kanda- Karthikeya story to Tamil Murugan. Until 14th century the karthikeya was obscure in tamil divinity and was worshipped in a similar way to being worshipped in other parts of India and srilanka. So around 15th century and subsequently dravidian- aryan ideology has made Murugan the cult figure in tamil.


To quote Paripadal

"Oh God of Kadamba wreath! "

This line shows that muruga came to tamilnadu with kadamba rulers. Lord Subramanyawhich is present in kadamba territory is transported to Tamil Nadu as Murugan.

skanda, muruga, karthikeya, Shanmuga origin legend

In the words of zevelibil the following are the most common myths attached with Muruga, which he claims is no way exhaustive list.

· In the field of physical geography, the myths of Murugan account for the vision of Tamilnadu as his sacred realm. Mythical, puranic space-time is as if spread over the concrete land of the Tamils in the past, present and future.

· In the field of social structure. Murugan's marriage to Devasenā and Valli reflects and legitimizes the cakkalatti 'co-wife' institution.

· On the level of historical development of religion in South India, Murugan's marriage to Devasena and Valli may have been an attempt to consolidate the unity of the Hindus irrespective of whether they were Saivites or Vaisnavites.

· On the level of culture, the myth of Murugan supports the claim that Tamil is of divine origin, and accounts for divine patronage of Tamil literature.

· On the cosmological level and in the mythological order, the myth reflects the struggle between the cosmic forces of order and chaos, creation and annihilation, good and evil - a permanent topic of Hindu mythology.

· On the metaphysical level. Murugan the teacher of Brahma and Siva is revealed as the expert in esoteric knowledge of the most sacred domain.

Let us see the Myths related to origin
Kalidasa version
According to one legend, he was the son of Uma and Maheswar. He was burn only to put an end to the astocities of Taraka, a cruel demon, who perpetrated countless wicked acts ondevas for years. When the entire amarakula was totally debilitated, they sought help of Lord Srimannarayanan, who counselled that the son born to Lord Siva alone would kill that remorseless Danava. But Siva was doing penance after the self - immolation of Sati, reborn as Parvathi and was in full bloom at this time. and she was offering worship to Lord Siva at the behest of her father Himavan.
They utilised the services of manmatha to awaken his love instincts. Poor Manmatha was burnt to ashes, when the Lordopened his third eye as punishment for disturbing his tapes, yet in the end Siva was wedded to Parvathi and the son begotten to them became the Chief-marshal of Amarasena, who vanquished Taraka; and devas breathed freely. Devendra gave his doughter Devasena to the valorous Subrafmanya in wedding then. This legend was immortalised by Kalidas in his Kumarasambhava.

Valmiki VersionThe Balakanda of Ramayana has a different version, though Karthikeya in his role of Army-General killed Taraka. According to it. Gods wanted Siva to preserve his energy for denavasamhara. though Siva applauded the request, he admitted that he had already discharged his seed.
Gods then requested the Earth. Agni and Vayu to receive the seed and enter it. Agni at once entered the seed which turned into a white mountain from which Karthikeya was born. He was the aspect of Siva and so inherited invincibility that destroyed the Asurakula.

Vyasa version
The Vanaparva of Mahabharatha has yet another legend. It narrated that once Devasena was put to route by Kesin, a dreadful demon of unusual powers. And he carried the Devasena pesonified as Lady. Devasena had a asister called Daitysena.
They were Prajapati's daughters. When Brahma was invoked for help by Devendra, he said that Subrahmanya alone could kill that Danava and promised a valorous life partner for Devasena, who would become War Lord of the Devaloka. The later stroy - Subrahmanya was born to Uma and Maheswar and killing etc, is same as above, and neet not be repeated

Krithika episode
Yet one more: Another fantastic legend narrated that once Agni appeared before Siva and Parvathi, when they were absorbed in the act of copulation. the sudden appearance of Agni made Siva discharge his seed abruptly. Angry Parvathi asled Agni to bear that seed. He humbly accepted, infear of severe consequences, but he could not bear it longer. He threw it into the river Ganges and the later transferred it to the six enchanting young girls called Kritikas, who were bathing in it. they gave birth to children, each one. All the six were combined into one with six heads and twelve arms but with one neck and one belly. Later his peerless career crowned him with the generalship of his celestial army along with Devendra's daughter as wife.

saravanabhavaAnother legend narrates that was also called Saravanabhava due to the fact of the seed of Siva thrown into the forest of Sara of seeds, where he was born according to another story.

Agni episode
It happened once the Saptarishis performed a great yagna. Agni then had the accasion of seeing the Munipatnis closely. And for long since he was carrying the ablations to the gods. their sublime charm enkindled love in him. He could not fulfil his lust due to chastity strictly practiced by them. So he was found despaired now and then. Just during this period Swaha, the lovely daughter of Daksha, who was in deep love for Agni contrived a plan to marry him by fulfilling his desire.
Accordingly, she assumed the forms of the wives of the Rishis and consorted with Agni, who ignorant of the trick felt elated. Except Arunadathi, she took the forms of the six rishipatnis and pleased him, and was pleased too. Every time she consorted with him, she used to keep the seed in a golden receptacle on a white mountain. This happened six times. The child thus born to them was called Skanda, since he came into the world with the seed of Agni and women. He had six heads and twelve arms, but one neck and a belly. Agni and Swaha later brought up their child.


Kartikeya - In the Tamil landIn the Tamil, it is a different story. Kartikeya, known as Murukan, has enjoyed continuos popularity with all classes of society right from the Sangam age. This lead to the more elaborate accounts of his mythology in Tamil.
The most popular and eruduite, the Kanda-Puranam (Sanskrit Skanda-Puranam), is by Kacchiappa SivachariyAr(1350-1420 A.D.). A scholar in Tamil and Sanskrit he was votary of Shaiva Siddhanta. Based mainly on the Sanskrit Skanda-purana, this Tamil epic, makes Kartikeya the destroyer of Taraka but also of his elder and more powerful demonic brothers, Shoorapadman and Simha-mukhan. Shiva let out a stream of fire from his third eye on his forehead, that split into six streams. Each landed on a lotus in a lake called Saravana Poigai. Six women, called Karthigai Pengal (literally Woman of the Pleiades) saw the babies and each took one with her to look after. On the day of Karthigai, Parvati united the six children into a six-headed child, unable to cuddle all of them together. This is also the origin of a common Tamil name of the deity, Arumugan or Shanmugan, which literally means "one who has six faces". Apart from the festival of Karthigai, the Thaipusam festival, celebrated by Tamil communities worldwide, commemorates the day he was given a vel (lance) by his mother Parvati in order to vanquish the demons.
He married two deities, Valli and Devayani. The latter is identical to Devasena and the former is a daughter of a tribal chief. However, other Hindu legends he is unmarried, and call him Kumaraswami (Kumara meaning a bachelor and Swami meaning God)
Kartikeya rides a peacock and wields a bow in battle. The spear (called "vel" in Tamil) is a weapon closely associated with him. The flag of his army depicts a rooster. In the war, Shoorapadman was split into two, and was granted a boon by Kartikeyan, to become the peacock, and the rooster.
As Karttikeya is worshipped predominantly in south India, many of his names are of Tamil origin. These include Senthil (the "Red" or formidable one); "Arumuga" (the six-faceted one); "Muruka"; "Guha"; "Maal-Marigan" (nephew of Vishnu) and many others.