Was Ancient India Literate ? : Super Human Memory Myth

western scholars of Indology said:
"Entire absense of writing, reading, paper, or pen in vedas, or during Brahamana period and complete silence in Sutra period(When art of writing was beginning to be known), the whole Literature of India was preserved in oral tradition only"

Weber who wants to bring all history to later than Biblical period admits:
"Europe has 10,000 sanskrit texts and considering that we have tens of thousands which the parsimony of karma has hithherto withheld form Museums and libraries of Europe, what a memory must have been their!."

Indian super Memory
The Immemorial practice with students of sanskrit literature has been to commit to memory the various subjects of their study and this practice of oral tradition has preserved the ancient Vedic texts. This fact has led Western Indology scholars to surmise that writing was unknown in the earliest period of Indian Civilization and that the later forms of the alphabet were not of pure Indian growth.

So According to these Western Indology Scholars, Indians have Super Human Memory. By Which they can not only memorize scores of documents, but they can also transmit through generations. Wow!, Who said science fiction is 20th century Stuff.

We are looking at this question. Did writing existed prior to Mauryas?

Panini
Panini is best known grammarian of India. Muller says that there is no single term in the panini terminology which presupposes the existence of writing. So we go to find out.



Panini almost singlehandendly brought together the classical sanskrit grammer. He mentions Grantha the equivalent for written or bound book in the later days in India. For Max Muller Granta mean simply a composition, which is handed down the generation by oral tradition. In short Panini is illiterate and somehow he produced one of the most eloborate and scientific set grammer ever known to mankind till today.Remember Panini has given 3996 rules for Classical Sanskrit Grammar.

Writing in Literature
Classical Sanskrit Literature
The direct reference to writing classical sanskrit according to Indologists in literature are found to be in the Dharmasutra of Vasistha, which Dr.Buhler thinks, was composed around 8th century BC. Some scholars will assign this work 4th century BC as well.Astadhyayi of panini contains such compounds as Lipikara and Libikara, which evidently mean writer. The date of panini is not fixed, prof.Goldstucker puts him 8th century BC, others put him in 4 the century BC. The Vedic works contain technical terms like aksara, kanda, patala, grantha and the like, which is clear indication of writing. Of course Indology scholars wont accept them.

Buddhist age
There are quite a large number of passages in the SriLanka's Tipitaka, which bear witness to an acquaintance with writing and to its extensive use.

At the time when Buddhist cannons were composed. Lekha and Lekhaka are mentioned in the Bhikkhu pacittiya and Bhikkhuni pacittiya.

In the Jatakaas, constant meniton is made of letters being written. The Jatakas know of proclamations.



We are also told of a game aksarika in which the Buddhist monk is forbidden to participate. This game is guessing of letters.

In the rules of vinaya, it has been laid down that a criminal, whose name has been written up in the kings porch, must not be recieved into the monastic order. In the same work, writing is mentioned as a Lucrative profession.

Mahavagga bear witness to the existence of elementary schools where the manner of teaching was the same as in the Indigenous schools of Modern India. All these references prove the existence of the art of writing in pre buddhist days.

Epic Age
Epics contains archaic expressions such as likh, Lekha, Lakhaka, Lekhana but not lipi, which some scholars think is foriegn orgin. So Writing was known in Epic Age.

Vedic Literature
We find clear evidence in wide spread use of writing in the vedic period. Written documents are mentioned as legal documents.

Scripts
Brahmi
The earliest surviving written record other than Indus script is Piprawa vase inscription discovered by Colonel Claxton peppe. This Inscription is a prakrit before the prakrits of magadhi or sourasheni developed, so differently interpreted. This is dated to early part of 5th century BC.

Next comes Sohaura Copper plate , which Dr.Smith puts before Ashoka by 50 years.

The Inscriptions of Ashoka is all over India. This shows that Writing was well used in Royal courts and the writting was well understood by common people.

Dr.Weber came with view that Brahmi is borrowed from South Arab tribe. But this has been dismissed by Dr. Buhler.



Buhler Identified certain Brahmi letters were identical to 9th-7th BC century Inscriptions found in Assyria. One third of 23 Alphabets are identical to Brahmi letters. This Indologists suggestions that the Brahmi letters were derived from these letters from all Indology scholars including Buhler. But we have to note that the tribes in question are belonging belonging to Indian Tribe. This script traveled from India to Middle east.

Jain Stupa unearthed at the Kankali Tila site of Mathura regarded by Vincent Simith as the oldest known stupa then (Before Indus valley sites were discovered). Smith dated it to be 600 BC for erection. Dr.Fuhrer who supervised the excavation found out that it contained a inscription Deva Stupa in a script, so old that it was forgotten.

Indus Script
Indus Script has 250-500 characters. Some of the Seals seems to be Bilingual with Indus script next to the symbols. Seeming symbols to be for traders from other languages. So Indus valley is literate culture.

Hieroglyphs
Sir Alexander Cunningham had wanted to derive each letter from the indigenous Hieroglyphic, but then no hieroglyphic was found in India. But today we have Indus valley Hieroglyphic and many are working towards deriving brahmi from them.

Writing Material
Materials used for writing in India were Birch-bark(Bhurja-patra), Palm Leaves (tala-patra), paper, Cotton Cloth, wooden board (phalaka),leather, Stone, brick and metal. Manuscripts of books were generally written in the above leaves, paper and cotton cloth while for land-grants, certain charms etc, metals was used. Wooden boards appear to have been used as slates in schools and for the purpose of writing plaints with chalk in court-rooms. Documents in connection with loans also used to be written on boards. Works appear to have been carved on wooden boards; Some manuscripts , engraved on wooden boards, still exist.

From Brahminical and Buddhist literature, leather also appears, however rarely, to have been used as writing material as it was animal skin and they are perishable in nature.

Royal edicts were engraved on rocks, pillars and caves.



Agreements , donations,grants etc were also sometimes written on stone. Some Literary and religious works were written on this material. Bricks were also rarely used. Some bricks, with one or few letters inscribed, have been found in walls, temple-niches or pedestals of images.

Writing materials have been of perishable nature, Indian Manuscripts, relly belonging to an ancient age, are rare. In fact, the manuscripts discovered in central asia , are the oldest of the manuscripts available so far.

According to Nearchos, who accompanied Alexander (327BC), paper was manufactured in India out of Cotton. The earliest paper-MSS written in Gupta Script were discovered at Kashgar and Kugier in Central Asia.

The earliest bramhi script is on a vase dated to 5 th century BC

Writing medium
The Writing medium in cases of paper, cloth and leaves was ink or masi. The word masi is derived from root mas denoting himsa or crushing, destroying it. therefore seems that ink was produced by pounding certain ingredients. In some parts of India, the word for ink is mela, probably derived from root mel (to mix). ink thus appears to have been admixture of certain substances. The use of ink in India is atlesat 4th century BC, is vouchsafed by Nearchos and Curtius.

The Common color of ink is black. Red and Yellow inks were also used. For ordinary purposes, washable or delible ink was used. For writing documents, however indelible ink appears to have been in use.

Writing Apparatus
The Writing Apparatus (Lekhani, varnaka,varnavartika, salaka, Kathini etc) consists of bamboo pieces with sharp ends, quills etc. Compases and rulers also appear to have been use for special purposes.




Analysis
Alberuni believes Indian Alphabet originated with the begining of Kali Age (3102BC).

Hiuen Tsang speaks of high Antiquity of Indian writing system. Brahmi is stated, in the Chinese Encyclopedia Fa-Wan-Shu-Lin, to be the best of scripts.

Some Greeks mention about Writing materials in India. Megasthanes mentions Milestones, Almanancs, Horoscopes, etc.- which indicate prevalance of writing. The evidence suggest that writing was in Vogue in India in the period of 6th century to 4 century BC as a legacy of earlier times, far from being novelty , it was a continuity and continuity of time immemorial.

Mauryan edicts reveal that Writting in Brahmi and kharosthi was written and understood by everyone including comman man.



Jains Works Pnnavana-sutra and the Samavayanga-sutra contains names of Eighteen scripts(lipi) including Brahmi and Kharosthi.

The Buddhist Sanskrit work Lalitavistara gives formidable list of 64 Scripts out of which Brahmi and Kharosthi is included. 64 scripts are divided into several groups . Eg. Provincial,Tribal, Sectrian etc. Some Foreign scripts were also known to Indians.

Ramayana, Mahabharata, Arthasastra, Sutra literature (8th to 2nd century BC), Yaska (pre-panian writer), Astadhyayi (5th century BC) and some early Sanskrit works throw light on a culture of writing.

Indus valley scripts shows that Writing existed prior to 4th millienum BC as well.

Rig Veda exists from time immemorial, but writing definitely existed when it was organised into samhitas.



The Indus valley findings made Indologists acknowledge that writing existed prior to Mauryan writing. Though it has not been deciphered , it clearly shows writing existed in India before atlest 5-2 milliena before christ. Some Indology scholars have tried to show Indus script is derived from script from another civilization. But all these theories have fallen flat. Hrozny tried to derive Indus script from Hittite, Diringer is convinced that no script existed prior to Indus script from which Indus scirpt can be derived. Hunter and Langdon regard Indus script as prototype of Brahmi. The Vedic Scholars believed that Brahmi is from Brahma. It is mentioned in Narada Smriti that if Brahma has not created the art of writing or given excellant eye in the shape of script, the future would not have been deprived of obtaining bright future.

The Absence of inscriptions since Indus valley is due to widespread use of Paper and Cloth, which are perishable in nature.

Conclusion
The Indian Civilization is a very advance civilization. There was a high development of trade and monetary transactions, and they carried on minute researches in grammar, phonetics and lexicography. These facts support the knowledge and widespread use of writing among ancient Indians. So the Super Human Memory is a Myth.

Sources
A Concise History Of Classical Sanskrit Literature By Gaurinath Shastri, Bhattacharyya Shastri Gaurinath
The rise, decline and renewals of sramanic religious traditions within indic civilisation with particular reference to the evolution of jain sramanic culture and its impact on the indic civilization by Bal patil
Students' Britannica India, Volumes 1-5 By Indu Ramchandani
A Companion to Sanskrit Literature: Spanning a Period of Over Three Thousand ... By Sures Chandra Banerji
On the origin Indian Brahma Alphabet Georg Buhler
Was Writing Know Before Panini by A Chela
Agama Aura Tripitaka, Eka Anusilana: Language and Literature By Nagraj (Muni.)

Images
University of Washington Libraries
Smithsonian.com
Europeana
btmar.org
Wiki

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Myths of Pallava Granta Script

Pallava Granta script is touted as script from 300AD to 10 century AD to write Sanskrit , It is also spread overseas and used by locals to derive their own script. Let us analyze the facts.

Pallava Dynasty
Though Pallava history is analysed by scholars for a long time, there are still gaps in knowledge. This is especially the case with the first period of Pallava history, the period ranging from the middle of the 3rd to the end of the 6th century A.D. The sources for the history of this period being limited, very little is known about its rulers beyond their names. The genealogy of these Pallava sovereigns and the actual duration of their reigns are still unsettled. Whether all the members mentioned in the charters actually ruled as kings is itself doubtful. We, however, get a clearer view of the dynasty during the second period, extending from the 7th to the 9th century A.D., as the epigraphs are distributed over a wide region with the advantage of some sidelights being thrown from the records of other dynasties. The Granta and Vetteluthu variations are evident from 8th century onwards until then, we find only Kadamba script. Moreover Granta and Vetteluthu are variations of Kadamba script and they evolved from kadamba script.

Pallava plates
The Earliest Pallava inscription is Mayidavolu, Hirahadagalli copper plate grants(4th century AD) uses Kadamba script, But after that we have a gap of inscriptions from 4th to 6th century AD. Even during vunnuguruvayapalem of paramesvaravarman I(669-700AD) and Reyuru plates of Narasimhavarman I (630-668AD) Kadamba script is used. The kurram plates of Narasimhavarman II (Raja Simha ) (700-28), Kasakudi and tandantottam plates of Nandivarman II pallavamalla (730 -96AD) and Bahur plates of Nirpatungavarman 9th century AD show variations from kadamba script , we can see first apperance of variations which latter evolved into Granta script around 11th century AD.

Pallava Granta Overseas

• There is a tendency among scholars to describe early inscriptions in Indonesia and Indo-china as pallava granta and speak of expansion of pallava culture and influence. These views are wrong because of following reasons
• The Script used in pallava inscriptions from 4th to 7th century AD and early epigraphs belong to Kadamba script which was widely used in south and western India.
• Early writing in Myanmar, Thailand, Laos, Cambodia, Malaysia, Indonesia, Sulawesi were written in Verse like records of kadamba kannada speaking areas unlike Pallava script.
• Boxheaded alphabet used in epigraphs of King Bhadravarman of campa(south Annam) is not characteristic of pallava inscriptions, but is generally found in central and upper Deccan as well as Kannada speaking areas of western India.
• Saka era introduced around 6th century AD in Indo-china and Indonesia is never used by Pallavas but chalukyas of Badami popular now in Kannada and marathi speaking areas.
• Number inscriptions early ruling families such as Arakan(Burma), Sailendras of srivijya(palembang , sumatra) are written in kadamba and siddhamaka script of Eastern India.
• The names of cities generally localised names of Vedic cities. Seventh Records indicate all India contact The city of Prom was also known as Vanadesi, similar to capital of the Kadambas Banawasi also the script is similar to kadamba script.
• The Name ending varman found in East Asian dyansities is not exclusive to pallavas ,but also used by Kadambas,Alikuars, Salankayanas,Gangas, Maukharis, Matharas ,Pitrbaktas also have varman ending.
• Many of Chronicles of South east asia are chronicles of Kalinga( orissa) and Sinhala.
• Pallavas except a brief period in 7th century were feudataries of Satavahana , Kadambas, Chalukyas Rastrakuta and Cholas, they never took titles such as Maharaja and Rajadiraja which denote the rulers of Empires

Conclusion
So we can see the Truth in relation to myths floated around about Pallava Granta scripts.

1. The Pallavas also used kadamba script and variations developed due to application of the script for writing local vernaculars tamil and malayalam
2. Scripts used overseas are based on Kadamba script not pallava granta script, though Pallava script influenced them in the later period.
3. Pallava Granta script developed after 8th century AD and previous inscriptions are in kadamba script only

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Myth of Independent Tamil Culture

We have theory of North-South contrast and an unknown Dravidian substratum over which the layer of Aryan culture was deposited. This view is only milder than that of the proponents of a separate and secular Tamil Culture, who insist on a physical and cultural Aryan-Dravidian clash as a result of which the pure Dravidian culture got swamped.Let us analyze the History,

Politics of language translation and Identity
Rajagopalachari, a political activist and Tamil scholar coins a word ‘Yakkai Rasayanam’ to denote ‘organicchemistry’. The ‘Yakkai’ has ‘pure’ Tamil root while Rasayanam is culled from Sanskrit but of common use among Tamil people.Yakkai connotes ‘organized’ and alludes to ‘vitalism’ and ‘chief organiser’, that is God. So people find this not secular.
The current technical term in usage ‘Karima Vediyal’(Carbon Chemistry) was suggested by Chennai Magahana Tamil Sangam in 1938 is exorcised of any reference to ‘tradition’ and as matter of fact is very secular. The term Karima means ‘Carbon’ and Vediyal means ‘Chemistry’. However, the term Vediyal is a modern word coined from a root word ‘Vedi’ meaning ‘transmute’. The verb ‘Vethithal’ implies transmutation of baser elements in Siddha tradition of ‘alchemy’. The word Vedi also came to denote drug used by Siddha school of medicine, derived not from plant sources but from chemical source’. How did this secularization of coining of terms
come about? Let us see

Social historians posit that during 1930s there were One group represented the traditional elite - largely dominated by Brahmins and consisting of elite from upper caste Hindu section were characterized by their sympathy towards ‘tradition’- meaning Sanskrit traditions, and in politics advocating ‘Pan Indian Nationalism’. Another group was the Tamil Vellala and non-Brahmin upper caste elite, who articulated ‘Tamil identity politics’ drawing inspiration from the Tamil past. Thirdly, there were the Left/self-respect movements, which not only questioned the ‘past’ but also ‘invalidated’ it.

As the balance of power of the third group swelled in the public sphere during the 1940s; in the ensuing social upheaval, impact of the self-respect movement’s rationalism and the left ideology geared the ‘rediscovery programme’ in a direction of taking it to secular plane away from the‘past tradition’ or ‘indigenous religion’. Rationalism was privileged in the rediscovery programme. E.V. Ramaswamy Naicker (Periyar) have very rigid ideas about the ancient history of Tamil Nadu. First, despite all evidence to the contrary,they still insist on the Aryan invasion theory in its most violent version, turning most North Indians and upper-caste Indians into descendants of the invading Aryans who overran the indigenous Dravidian s, and Sanskrit into a deadly rival of Tamil. Consequently, they assert that Tamil is more ancient than Sanskrit, and civilization in the South older than in the North. Once Tamil Nadu's Education minister said The Dravidian civilization is older than the Aryan. It is not uncommon to hear even good Tamil scholars utter such claims. Let us Analyse the evidences

Pre-historical
Culturally, the megalithic people of the South shared many beliefs and practices with megalithic builders elsewhere in the subcontinent and beyond.

Script
The earlier Tamil inscriptions were written in Kadamba script, Pallava grantha and Vetteluthu Inscriptions after the eighth century A.D. Contain characteristrics similar to the one now in vogue The Tamil script(see also Tamil Brahmi) infact flipflopped between Pallava Granta and Vetteluthu.

Vedic Gods and Vedic culture in Tamil Literature
Tolkappiyam (date) is modelled on the Sanskrit grammar of the Aindra school. Tolkappiyam adopts the entire Rasa theory as worked out in the Natya Sastra of Bharata. It also refers to rituals and customs coming from the Aryans,a word which in Sangam literature simply means North Indians of Vedic culture. Tolkappiyam states that marriage as a sacrament attended with ritual was established in the Tamil country by the Aryas and it uses the same eight forms of marriage found in the Dharmashastras. It mentions the caste system or fourfold jathis in the form of Brahmins, Kings, Vaishyas and Vellalas, and calls Vedic mantras the exalted expression of great sages. Tolkappiyam formulates division of the Tamil land into five regions (tinai), each associated with one particular aspect of love, one poetical expression, and also one deity: thus the hills (kurinji) with union and with Cheyon (Karthikeya); the desert (palai) with separation and Korravai (Durga); the forests (mullai) with awaiting and Mayon (Vishnu-Krishna); the seashore (neytal) with wailing and Varuna; and the cultivated lands (marutam) with quarrel and Ventan (Indra). Vedic gods are considered one with the tamil land. The emperor of Tamil poetry, Kambar, describes Sanskrit as the "devabhasa"

Ettuttokai abound in references to many gods Shiva, Uma, Murugan, Vishnu, Lakshmi and several other Saktis. The Paripadal consists almost entirely of devotional poetry to Vishnu. One poem begins with a homage to him and Lakshmi, and goes on to praise Garuda, Shiva on his majestic bull, the four-faced Brahma, the twelve Adityas, the Ashwins, the Rudras, the Saptarishis, Indra with his dreaded thunderbolt,the devas and asuras, etc., and makes glowing references to the Vedasand Vedic scholars. The Purananuru in addition sees Lord Shiva as the source of the four Vedas and describes Lord Vishnu as blue-hued and Garuda-bannered. A poem in Akananuru, declares that Shiva and Vishnu are the greatest of gods. Not only deities or scriptures, landmarks sacred in the North, such as the Himalayas or Ganga, also become objects of great veneration in Tamil poetry. North Indian cities are referred to such as Ujjain or Mathura after which Madurai was named. Court poets proudly claim that the Chera kings conquered North Indian kingdoms and carved their emblem onto the Himalayas. They clearly saw thesubcontinent as one entity.

Kural is often described as an Atheistic text a misconception. Valluvar's 1,330 mostly deal with ethics (aram), polity (porul) and love (inbam), following the traditional Sanskritic pattern of the four objects of human life: dharma, artha, kama, and moksha, the last implied rather than explicit. Still, the very first decade is an invocation to Bhagavan. The ocean of births can be crossed by those who clasp God's feet, and none else. The same idea recurs later, for instance in this profound thought, Cling to the One who clings to nothing and so clinging, cease to cling. The Kural also refers to Indra, to Vishnu's avatar of Vamana , and to Lakshmi, asserting that she will shower her grace only on those who follow the path of dharma. There is nothing very atheistic in all this, and in reality the values of the Kural are perfectly in tune with those found in several shastras or in the Gita

Shilappadikaram(Date) which relates story of Kannagi and Kovalan, it opens with invocations to Chandra, Surya, and Indra, all of them Vedic Gods, and frequently praises Agni, Varuna, Shiva, Subrahmanya, Vishnu-Krishna, Uma, Kali, Yama and so forth. There are mentions of the four Vedas and of Vedic sacrifices being faultlessly performed.In more than one place, writes V. Ramachandra Dikshitar, the first translator of the epic into English, there are references to Vedic Brahmans, their fire rites, and their chanting of the Vedic hymns. The Brahman received much respect from the king and was often given gifts of wealth and cattle. When Kovalan and Kannagi are married, they walk around the holy fire, a typically Vedic rite still at the centre of the Hindu wedding. Welcomed by a tribe of fierce hunters on their way to Madurai, they witness a striking apparition of Durga, who is addressed equally as Lakshmi and Sarasvati, the three Shaktis of the Hindu trinity. There are numerous references to legends from the Mahabharata, the Ramayana, and the Puranas.

After worshipping at two temples, one of Vishnu and the other of Shiva, the Chera king Shenguttuvan goes to the Himalayas in search of a stone for Kannagi's idol, and bathes it in the Ganges. Manimekhalai even though is a Buddhist work, it also mentions many Vedic and Puranic gods, and attributes the submergence of Puhar tothe neglect of a festival to Indra. Silapathikaram and Manimekhalai, which amply testify that what we call today Hinduism, Jainism and Buddhism coexistedharmoniously. (See Also Divine Tamil)
As the archaeologist and epigraphist R. Nagaswamy remarks, The fact that the literature of the Sangam age refers more to Vedic sacrifices than to temples is a pointer to the popularity of the Vedic cults among the Sangam Tamils.

Agastya, the great Vedic Rishi, as the originator of the Tamil language. He is saidto have written a Tamil grammar, Agattiyam, to have presided over the first two Tamil Sangams, and is even now honoured in many temples of Tamil Nadu and worshipped inmany homes. One of his traditional names is Tamil muni. The Shilappadikaram refers to him asthe great sage of the Podiyil hill,and a hill is today named after him at the southernmost tip of the Western Ghats.

P. S. Subrahmanya Sastri says a knowledge of Sanskrit literature from the Vedic period to the Classical period is essential to understand and appreciate a large number of passages scattered among the poems of Tamil literature.In other words, Vedic and Puranic themes are inextricably woven into Sangam literature.
Ramachandra Dikshitar writes Either the people did not look upon religious distinctions seriously, or there were no fundamental differences between one sect and another

Historical Period
But here let us just take a look at the rulers. An inscription records that a Pandya king led the elephant force in the Mahabharata War on behalf of the Pandavas, and that early Pandyas translated the epic into Tamil. The first named Chera king, Udiyanjeral, is said to have sumptuously fed the armies on both sides during the War at Kurukshetra Chola and Pandya kings also voiced such claims of course they may be devoid of historical basis, but they show how those kings sought to enhance their glory by connecting their lineage to heroes of the Mahabharata. So too, Chola and Chera kings proudly claimed descent from Lord Rama or from kings of the Lunar dynasty, in other words vedic roots. Karikala, was a patron Vedic religion and while the Pandya king Nedunjelyan performed many Vedic sacrifices, and the dynasty of the Pallavas made their capital Kanchi into a great centre of Sanskrit learning and culture.

K.V. Raman summarizes says
The Pandyan kings were great champions of the Vedic religion from very early times According to the Sinnamanur plates, one of the early Pandyan kings performed a thousand velvi or yagas Vedic sacrifices. Though the majority of the Pandyan kings were Saivites, they extended equal patronage to the other faiths, and included invocatory verses to the Hindu Trinity uniformly in all their copper-plate grants. The Pandyas patronised all the six systems or schools of Hinduism. Their religion was not one of narrow sectarian nature but broad-based with Vedic roots. They were free from linguistic or regional bias and took pride in saying that they considered Tamil and Sanskritic studies as complementary and equally valuable.
Nilakanta Sastri goes a step further and opines, There does not exist a single line of Tamil literature written before the Tamils came into contact with, and let us add accepted with genuine appreciation, the culture of North Indian origin.

The Myth of Dravidian Culture
And yet, such statements do not go deep enough, as they still imply a North-South contrast and an unknown Dravidian substratum over which the layer of Aryan culture was deposited. This view is only milder than that of the proponents of a separate and secular Tamil Culture, who insist on a physical and cultural Aryan-Dravidian clash as a result of which the pure Dravidian culture got swamped. As we have seen, archaeology, literature and Tamil tradition all fail to come up with the slightest hint of such a conflict. Rather, as far as the eye can see into the past there is every sign of a deep cultural interaction between North and South, which blossomed not through any imposition but in a natural and peaceful manner, as everywhere else in the subcontinent and beyond.
M.G.S. Narayanan says
The Aryan-Dravidian or Aryan-Tamil dichotomy envisaged by some scholars may have to be given up since we are unable to come across anything which could be designated as purely Aryan or purely Dravidian in the character of South India of the Sangam Age. In view of this, the Sangam culture has to be looked upon as expressing in a local idiom all the essential features of classical Hindu culture. Swami Vivekananda says, The South had been the repository of Vedic learning.

Conclusion
It should now be crystal clear that anyone claiming a separate,pre-Aryan or secular Dravidian or Tamil culture has no evidence to show for it, except his own ignorance of archaeology, numismatics and ancient Tamil literature. There is no meaning in the word Dravidian except either in the old geographical sense or in the modern linguistic sense, racial and cultural meanings are as unscientific as they are irrational, although some scholars in India remain obstinately rooted in a colonial mindset.

The simple reality is that every region of India has developed according to its own genius, creating in its own bent, but while remaining faithful to the central Indian spirit,So is Tamil culture.