Myths of Rajput origin

Rajputs are a community in northern India and Gujarat consisting of a number of clans such as the Gujjars. While present-day Rajasthan Rajasthan and Gujarat have been the main centers of the Rajputs, their clans have had a long and significant presence in other states. This page examines certain facts regarding the origins of the Rajputs, based on information gathered from inscriptions, copper-plates, contemporary Prashastis and texts.

Rajput Origins
The term Rajputra first emerged as a title used by some of the rulers referring to their royal ancestors. The term was first used at the time of Harshavardhana and later by the Sena king Vijayasena, a Chahamana Chauhan officer named Jojal and by certain descendants of the Shahi clan of Kashmir. The term was used in inscriptions for the crown princes of the Kalachuri dynasty and by dynasties in Orissa, Bengal and Assam.



Any speculations as to the origins of the Rajputs has to be presaged with the caveat that in general, no single origin-theory can be held to be authoritative. The traditional occupations of the Rajput are war and agriculture. Many scholars have pointed out that these areas lend themselves uniquely to the ingress of groups that were not formerly affiliated with those professions. The gradual accommodation of the new entrants into the social and family circle of the traditional community is the essential quid pro quo of the sanskritization that the aspirant community essays. This phenomenon of gradual inclusion has indubitably obtained in the case of the Rajputs.

The Agni-kunda Legend
The Agni-kunda legend is the best-known traditional account that deals with the origin of the rajput Rajputs. This account begins with the puranic legend wherein the traditional kshatriya Kshatriyas of the land were exterminated by Parashurama, an avatara of Vishnu. Later, sage Vasishta performed a great Yagya or fire-sacrifice, to seek from the gods a provision for the defense of righteousness on earth. In answer to his prayer, one or more youths arose from the very flames of the sacrificial fire, according to different versions of the legend.

Sometime during 16-17th century, the legend came to be applied to the Pratiharas , Chauhans , Solankis , and Paramaras , Rahevars clans. The Gurjara-Pratiharas established the first royal Rajput kingdom in Marwar in southwestern Rajasthan in the 6th century 6th century, the Chauhans at Ajmer in central Rajasthan, the Solankis in Gujarat , and the Paramaras at Mount Abu. Evolution of the legendA large number of inscriptions and texts have come to light since the mid-19th century 19th century that allow us to trace the evolution of this legend in detail.

The Agnikunda story is first found in the Nava-sahasanka-charita by Padmagupta, a fictional romance where the hero is identifiable as Sindhuraja, the patron of the author Padmagupta. This work mentions that the progenitor of the Paramaras was created from fire by sage Vashishtha. During the period of decline of the Paramaras of Dhar, the story finds mention in several royal inscriptions. Later, the story is expanded to include two or three other Rajput clans. Eventually, some scholars proposed that all of the Rajputs were created from the Agnikunda.



Early Paramara Chronology
949 AD: First known Paramara copperplate Harsola copperplate. Mentions Paramara Siyaka as a feudatory of Rashtrakuta Akalavarsha. It mentions the Paramaras as being of the same clan ' as the Rashtrakutas.
975, 986 AD: Vakpati Munja assumes Rashtrakuta name Amoghavarsha and titles Srivallabha and Prathvivallabha, indicating that he regarded himself as being a succesor of the Rashtrakutas of Manyakheta.

Thus, there is no mention of the Agnikunda legend in the early records; the Paramaras appear as a branch of Rashtrakutas, as proposed by D.C. Ganguli.

Chronology:
Gradual Evolution of the Myth

• 1005 AD: Padmagupta writes the fictional Navasahasanka-charita during the rule of the Parmar king Sindhuraj of Dhara. This is the first mention of the legend wherein the first Paramara is created from an Agnikinda by Vashista.
• 1000-1055 AD: Bhoja Bhoja no mention of Agnikunda in his copperplates or inscriptions.
• 1042 AD: Vasantgarh inscription mentiones Paramara origin from Agnikunda.
• 1070-1093 AD: Udayaditya, Udayapur prashasti mentions Paramara origin from Agnikunda.
• uncertain date: The Prathviraj Raso is composed, the oldest copies of which do not mention the Agnikunda legend. It is attributed to poet Chand who lived during the rule of Prithviraj Chauhan Prithviraj III , however the language of available manuscripts appears to be much more recent.Ain-i-Akbari by Abul Fazl mentions creation of a Dhanji from an Agnikunda, somewhere in the Deccan Deccan Plateau, to fight Buddhism Buddhism. That fire-born warrior goes to Malava and establishes his rule. When Puraraj, fifth in line from him, dies childless, a Paramara is selected to succeed him.
• 16th-17th century: Agnikunda legend inserted into the Prithviraj Raso, where three clans, Pratihar, Chalukya and Panwar, are mentions as having been created from the Agnikunda. The legend is not present in the Udaipur manuscript of 1585 CE.
• Uncertain date: Agnikunda legend in Bhavishya Purana. It mentions four clans: Paramara, Chauhan, Chalukya and Parihara, as having been created from fire to annihilate the Buddhists during the time of Ashoka.
• 1832 AD: James Tod presents his theory that the Agnikunda legend symbolizes the elevation of Sakas Indo-Scythians, etc. to the status of being Kshattriyas; by implication, all the Rajaputs are descendants of central Asian invaders.
• 1954 AD: Tod's view is repeated by A. L. Basham in his "The wonder that was India". By now, the view becomes accepted.

Rastrakuta origin
Parmar
There are three schools of thought about the origin of the Paramara clan. The most widely accepted school of thought is that the Paramaras – along with the Chauhans, the Pratiharas (Parihars) and the Solankis (Chalukyas) – were one of the four Agni kula ("fire-born") clans of the Rajputs. In a second school of thought, the Parmar clan is said to have been a tribe of central India that rose to political prominence as the feudatory of the Rashtrakutas. In a third school of thought, the Parmar clan is said to have originally been an inseparable part of the Rashtrakutas, which later branched out from the Rashtrakutas (Rathore)and declared themselves to be a distinct Rajput clan.

Rathore (earlier known as Rastrakutas)
At Hathundi, in what was formerly the princely state of Jodhpur , 10th century inscriptions have been found mentioning kings Harivarma, Vidagdha, Mammata, Dhavala and Balaprasada, all of the Rashtrakuta dynasty. This is not in fact surprising, since the Rashtrakutas held sway over Marwar in that era. However, as we have seen above, the Rathores first emerge in Rajasthan shortly after that same era; therefore, Rathores are offshoots of Rashtrakutas.


Chalukya Origin
Solanki
The Solanki (from Chalukya, an ancient Indian dynasty) are a Hindu clan who ruled parts of western and central India between the 10th and 13th centuries AD. The Solanki are a branch of the Chalukya dynasty of whose oldest known area of residence was in present-day Karnataka. The Solanki clan-name is found within the Rajput and Gurjar communities. The Chalukya gave raise to following clans Shakha- Baghel, Chalke, Ingale, Pisal, Rannavre, Dubal, Mahale and of Solanki: Salunke, Pandhare, Patankar, Patole, Shevale, Babar, Padwal, Magar, Randheer, Ranpise, Sonvane, Gunjal, Lahane, Vyavhare, Navale, Londhe

Kalachuri Origin
Kalachuris ruled North Maharastra during 6th century AD , Pulikesin defeated them and made them feudataries of Chalukyan Empire. After the death of Harshavardhan vinayaditya defeated the successor to Harsha and annexed his kingdom , kalachuries were given charge of vindyas and north of Vindyas. They had martial relationships with other kannada dyansties like Rastrakuta, Chalukya, Solankis , Sena, Malla and pala dynasties. Ruling from the centre of India they are one of the major contributors to Rajput Clan.



Conclusion
The Rajputs did not originate as a tribe or a single community. They emerge from history as a collection of clans ruling different regions. The term Rajput as it is used today refers to the set of intermarrying royal clans mostly with karnata roots. Two lists of 36 clans are found in Kumarpala Charita and the Prithviraj Raso, apparently compiled in the Gujarat/Rajasthan region with its own historical claim to aristocratic Gurjara or Gujjar titles. But as History shows the Rajput are of Kannada origin to start with with Rastrakuta, Chalukya background, when they ruled Rajasthan, Gujarat and North India.

origin of Brahmi Script

Brahmi Script
In the last centuries BC the script was divided into 3 varieties: northern, eastern, and southern. Dialectal differences consisted of the shape of the symbols, though the system remained the same. First separate branches emerged in the 5th century AD. The Brahmi script is the ancestor of all modern Indian writing systems, there are about 40 varieties of them nowadays, including Tibetan, Sinhalese, Sharada, Newari, Bengali, Oriya, Gujarati,Gurmukhi, , Kannada, Telugu, Tamil, Malayalam, Burmese, Khmer, Lao, Thai, Devanagari. In addition, many other Asian scripts, even Japanese to a very small extent (vowel order), were also derived from Indian script. Languages which used Brahmi as their script: Indo-Aryan (Vedic, Sanskrit, Prakrits, Pali), Dravidian, Iranian (Sacian), Tocharic.

Brahmi origin
Brahmi origin has been controversial. one of the reason is the sudden appearance of fully developed script in the inscriptions during Ashokan period and l absence of inscriptions between Indus valley and Ashokan period(gap of 1500 years). Opinions of Brahmi is divided to into two camps Foreign origin by Foreigners and Indigenous independent development by Indians. Let us see the opinions behind claims.

Foreign origin
Foreign origin or derived script theory is based on the following theories

• Failure to find and identify actual specimens of between indus valley and pre-Ashokan writing.
• The testimony of Greek author Megasthenes to the absence of writing in India in the early Mauryan period
• The evident influence of Indian phonetic and grammatical theory on the structure of the early scripts
• Uniform appearance of Ashokan Brâhmî all over India.

Aramic origin
It is thought that the brāhmī drift of a Semitic writing like the imperial Aramean alphabet, as it is the case for the alphabet gāndhārī(khartoshi) which appeared at the same time in Northwest India, under the control of the empire of the Achéménides. Rhys Davids thinks that this writing could be introduced in India of the the Middle East by the merchants.The similarities between the scripts are just what one would expect from such an adaptation. For example, Aramaic did not distinguish dental from retroflex stops; in Brāhmī the dental and retroflex series are graphically very similar, as if both had been derived from a single prototype. Aramaic did not have Brāhmī’s aspirated consonants (k, t), whereas Brāhmī did not have Aramaic's emphatic consonants (q, ṭ, ṣ); and it appears that these emphatic letters were used for Brāhmī's aspirates: Aramaic q for Brāhmī kh, Aramaic (Θ) for Brāhmī th (ʘ). And just where Aramaic did not have a corresponding emphatic stop, p, Brāhmī seems to have doubled up for its aspirate: Brāhmī p and ph are graphically very similar, as if taken from the same source in Aramaic p. The first letters of the alphabets also match: Brāhmī a, which resembled a reversed κ, looks a lot like Aramaic alef, which resembled Hebrew .
Southern Semitic origin.
Brahmi is a syllabary, it consists of syllables only, if we state that single vowels are also syllables. Each character carries a consonant followed by the vowel "a", much like Old Persian or Meroïtic. However, unlike these two systems, Brahmi indicates the same consonant with a different vowel with extra strokes attached to the character. Brahmi is written from the left to the right. However in few coins right to left Brahmi is also found.

Phoenician Origin
Phoenician origin is based on the following points.

• Writing from left to right unlike aramic which is right to left.
• Striking similarity between theta and Brâhmî tha

Emphasising this two points to Brahmi phoenicaian origin is theory far fetched. Maybe there is influence but no such a thing as origin from Greek alphabet.

Greek and Brahmi
That the basic system of indication of post-consonantal vowels by diacritic marking was originally developed in and adapted from Khartoshi seems well established. But Falk's suggestion that the introduction into Brâhmî of distinct diacritics for short and long vowels was influenced by the model of Greek script is doubtful, since the notation of vowel quantity in Greek operates on entirely different principles. Whereas Greek uses distinct alphabetic characters, mostly derived from Semitic consonants, to represent, incompletely and inconsistently, short and long vowel pairs, Brâhmî has a complete and regular set of matched short/long pairs of post-consonantal diacritic signs.

Brahmi Numerals
Numerical notation system of Brâhmî. Because the use of distinct signs in Brâhmî for each of the digits (1 to 9) and the decades (10 to 90) a similar system used in early Chinese numerals. Also not only in system but also in the actual form of several of the numerical signs, between Brâhmî and heiratic and demotic Egyptian. we dont know which side influenced the other or Independent.

Indigenous origin

Independent origin
script appeared in India most certainly by the 6th century BC, but the fact it had many local variants, which suggests that its origin lies further back in time. The earliest inscription written in Brahmi date back to the 6th century BC in srilanka, and by 2nd century BC already there existed several varieties of it. Brahmi quickly became the official script of religious texts and cults, and therefore spread over all India.
Writting in Pre Ashokan Era

• J.D.M. Derrett argues Megasthanese talks only about written Legal document not generally writting in India.
• Nearchos, quoted by Strabo, to the Indians' practice of writing letters on cloth
• Panini mentions Lipi (Writting)
• Pali cannon makes reference to likhitako coro,lekha.m chindati (writting) in Vinaya-pi.taka

Ashoka Invention
Harry Falks believes as for him that the brāhmī was created under the Empire maurya. One often admits that it was an invention planned under the reign of Ashoka, necessary to the drafting of his edicts, case similar to that of the Hangul(Korean).

Indus origin
Brahmi script came from the Indus Valley Script. However, the lack of any inscription evidence between the end of the Harappan period at around 1900 BC and the first Brahmi and Kharosthi inscriptions at roughtly 500 BC makes the Indus origin of Brahmi highly questionable. However recent claims of deciphering the Indus script has strengthened this theory. Indus script have been found around 1500BC in Vaishai, bihar. And the theory derives the evidence from similarities as other theories. You can see in the picture .

Khartosi-Brahmi
Now the theory by western scholars is Khartoshi predated Brahmi and it was loose adoptation of Aramic. Khartoshi from Aramic is also not a good argument simply because several cases Khartoshi characters have different phonetic values from the Aramaic letters that they most closely resemble in shape. wide usage of Aramaicin the Ashokan Aramaic inscriptions, in the eastern regions of the Achaemenian empire.another theory is Brahmi is derived from Khartoshi. But this can be disproved on following points. Brâhmî ¤ ha , which can reasonably be derived from an Aramaic * he , but hardly from Khartoshi * ha , and * ta from Aramaic * taw ,
but not Khartoshi ¤ ta

Conclusion
We have to see that each theory putsforward the similarities and keeps silence on the other points. Brahmi is superior script all the others compared. And there is no easier explanation for the development of same.

Related Posts
Was Ancient India Literate
Indus Script Myths
Tamil Brahmi
Pallava Granta Script

Nandas of Nandavar origin

Nandavara is a settlement on the bank of the Netravati River, in Bantwal taluka, at Dakshina Kannada, Karnataka, India. It is around 25 km from Mangalore.

Nandavara once had royal associations: there were many palaces and temples in the area. None, nor the fort built by the kings, survive today. Nandavar was a very ancient and renowned place. For centuries it was also a historical center. Nandavara was the capital of the Nanda Dynasty, which ruled this region for several centuries. The name Nandavara is derived from a combination of two words, nanda and pura. The Nanda kings established their kingdom on the bank of the Netravati River, and built a fort and a palace. The place came to be known as Nandapura, which in course of time became well known by the present name of Nandavara.

Sites of historical significance that exist today include the Sri Veerabhadra shrine, the Shri Vinayaka Shankaranarayana Durgamba temple and the Sri Veera Maruti temple. The neglected Sri Siddhi Vinayaka Shankarnarayana Durgamba temple has been renovated and restored, and it equipped with facilities for social welfare activities.

Let us see who are these Nandas or they connected with Famous Nanda Dynasty of North?


Local Legend
The name "Nandavar" is derived from a combination of two words: "Nanda" + "Pura" (Just as "Baana" + "Pura" = "Baanaavara"; "Brahma" + "Pura" = "Brahmaavara"). Since this was the "Pura" (abode) or the kingdom of the Nanda dynasty, this was called as "Nanda Pura", which in due course became "Nandavar".

According to another version, this was called as Nandavar because the kings of the Nanda dynasty had built an enclosure of a wall encircling this town. It is thus clear that here ruled the kings of Nanda dynasty. Even to this day the local people hold that the Nandas were Harijans by caste. They must have been the original inhabitants of this place. Hence it can be said that they were ruling here from the very ancient time, and they were the cause for the name of this place. From our present study, however, it is not possible to say categorically as to when they commenced their rule here.

Nanda Dynasty of North India
The name of the Nanda dynasty can be found in the ancient Indian history. As is well known, with the help of Chanakya, Chandragupta Maurya, the grandfather of the famous Ashoka, had established his kingdom defeating and exterminating the Nanda kings. It is not known whether a part of the very same Nanda dynasty came down and settled here, and ruled from this place also.

A Perfect Identity between the Two Royal Families
There is a perfect identity between these two royal families. Just as the Nandas who ruled from our Nandavar were Harijans by caste, the Nandas who preceded the Mauryas in North India also did not belong to the first three categories of the "chaturvarna" system. By a study of their tradition, ideology, and food habits, etc. it must be said that they belonged to the fourth category. Hence, besides the similarity in their names, there is also found a social identity between these two dynasties.s in so

Did the Nandas of North India come down to South?
It is quite possible that having lost their royalty and power in North India, the Nandas who were inimical to the Mauryas, might have come down to this part of the South India, and with the background of their previous experience in administration and rulership, might have established themselves here and assumed the reins. The Great Chandragupta Maurya renounced his throne and came to Sravanabelgola near to Mysore is well known fact. The bank of Netravati River with its copious and perennial flow of water might have been found as an ideal place for their kingdom. However, some ancient edicts of North Karnataka bear ample testimony to the rule of the Nanda kingme parts of west Karnataka. But no evidence as to the names and the number of Nanda kings who had ruled our Nandavar are available. But the fact that they were ruling from here till the 15th century A.D. is clearly known.

Nandapura Becomes Nandavar
Thus, the Nanda kings established their kingdom on the bank of the Netravati River, built a Fort and a palace, and residential quarters for not only the Ministers and the other authorities, but also for the serving staff, the soldiers and the businessmen. Hence this place came to be known as "Nandapura", which in course of time became well known by the present name of "Nandavar".

Bangarasa's Advent at Nandavar
During the 15th century A.D., one early morning at 5 o'clock, Laxmappa Bangaraja the First, who was then ruling from Bangadi of Belthangdi Taluk, in Dakshina Kannada, was traveling to Mangalore by boat, passing the river bank of Nandavar. At that very moment, on a sand dune, at a little distance, to the east of the local Ganapathi Temple, two "Kavada" birds were chirping. The astrologers, who were then accompanying the king, hinted to him that if the "Kavada" birds were to sing at that hour of the dawn, it was an indication of the existence of valuable treasures there and hence that place was very well-suited for building a palace. Accordingly, with the help of one Nandiraja Ballala, hailing from the border of a place known as "Sajeepa", the Banga king built his palace, as stated by Late Ganapathi Rao Aigal in his book entitled, "The History of Dakshina Kannada".

Bangarasa vs. Nandaraya of Nandavar
During the time of construction of his palace here, the Banga king declared war on Nandaraya who was the then ruler of Nandavar. Bereft of support from the local people, and being of low caste from the then standard, none came for the support of Nandaraya. Consequently, he lost his life in the battle, and the public looted his wealth. Hence came into vogue the adage in Kannada, meaning that the "Nandaraya's life had gone to dogs". Thus, ended tragically the Nanda dynasty, and a pall of gloom descended on Nandapura.

Bangarasa who exterminated the Nanda dynasty and commenced his rule in Nandavar in 1417 A.D., built a tall mud fort around his palace, and erected therein a shrine dedicated to Veerabhadra. But neither Bangarasa nor his successors could rule the kingdom in peace and tranquillity. There used to be frequent skirmishes and battles between him and the neighboring Chowta king and Domba Heggade of Vittal. Due to the repeated murders, loot and decoity indulged in by the aliens and enemies alike, there commenced and prevailed in Nandavar strife and anarchy. Nandavar became a prey to the Mohammedan Aggression.

Nandavar kings are from North?
This appears to be a myth. The Nanda kings of North and Nanda kings of south seems to separated by more than 1500 years and much more distance. Kings linking themselves to epics and famous royal families is common India, here Nandavar kings seems to have linked themselves to Nanda Dynasty of North. Also to be noted is Buddhist kings are called shudras by Brahmins.

Controversies of Kural by valluvar

Let us see some of the controversies sorrounding Kural.

Last 25 chapters

The last 25 chapters are split into two parts, premarital and marital love, separately, yet because of their different style there is controversy whether these chapters were part of the original work because many of principles in this chapters are contrary to what is discussed in previous chapters.

Author

Very little is known conclusively about the life of Tiruvalluvar.As per Tamil tradition, he is believed to have lived some time before Tholkappiar .His wife name is vasuki.

Textile weaver

He is said to have been a textile weaver by profession, who led an austere life. His devoted wife was named Vasuki. The name Valluvan is ambiguous as well: it may have referred to his caste/occupation and may not have been his real name. There is a distinct caste to this day with this name, among the Tamils whose traditional occupation used to be textile weaving who trace their ancestry to valluvar. However, the question of whether the author was named after his community or vice versa, has never been satisfactorily answered.

Untouchable

Pope begins his introduction by discussing the issue of Thiruvalluvars caste. While Thiruvalluvar's biography was generally acknowledged to be legend, certain aspects of the legend were seen by most scholars as based upon historical fact. One of these was his low-caste origin. As Pope explains, the name Valluvar was an honorific, meaning teacher or priest, traditionally given by the paraiyar (the untouchables of the Tamil country) to the learned men of their community.

Truth is nothing is known about the author other than his name is valluvan.

Place

Legends abound about the birthplace of Thiruvalluvar.

Mylapore (chennai)

According to one legend he is supposed to have been born and lived in Mylapore,an ancient part of present day Chennai city. Author lived in Pallava times,who also patronised jainism.

Madurai

Another legend associates him to Madurai,the ancient capital of the Pandya rulers. This second legend probably has its origins due to the fact that Pandya rulers promoted Tamil by patronising a lot of Tamil poets and Thiruvalluvar is supposed to be one of them. In fact, some folklore cite that Tirukkural was introduced to the world by Tiruvalluvar in Madurai’s Tamil Sangam.

Valluvanadu

During the 9th century A.D. a Valluvanadu existed in Kerala. But exact location of valluvanadu is disputed.

Valluvanadu-palaghat

The Valluvanadu of the Palaghat district was ruled by Valluvakon in the ancient times. In the laterdays Nairs who entered Kerala annihilated or assimilated the Valluvars of Palaghat and occupied the land. The king of Valluvanadu was called Valluvakonathiri Moopil Nair.The Valluvanad is associated with bravery as most of the Chavers or the suicidal army of Kerala was derived from the Valluvanad area. The Valluvanad Chavers participated in the Mamankam a festival held every twelve years in which, the Chavers tried to kill the Samudhiri the king of neighbouring kingdom even though they were quite aware impossibility and the possibility definite death.

Valluvandu- Wayanad

At Wayanad district the Valluvans are believed to have their kingdom at Valluvady near the Kerala Karnataka border. At Valluvady many artifacts of Valluvars including golden artifacts are believed to be found.

Valluvandu- Kanyakumari

There are also recent claims by Kanyakumari Historical and Cultural Research Centre (KHCRC) that Valluvar was a king who ruled Valluvanadu in the hilly tracts of Kanyakumari district of Tamil Nadu. Though this recent claim comes through research, many questions remain unanswered.

Dating

Caldwell and Pope dated the text to the 8th—10th centuries C.E., while the majority of Tamil scholars placed it in the late Sangam period whose period is disputed. Modern scholars like Zvelebil favour a date earlier than that of Caldwell and Pope to 7th century.

Cladwell

Caldwell argued that of Tamil was both the oldest and the least dependent upon Sankrit. But even while granting the antiquity of the language, he dismissed the antiquity of Tamil literature. The oldest of it could not be older than the 8th — 9th century C.E. Caldwell further questioned ancient Tamil society's exposure to the higher forms of civilization, such as art, science or religion, prior to the arrival of Brahmins; Dravidian religion, for instance, prior to their advent, had been a sort of demonolatry or primitive Shamanism.

Silapathikaram

If X mentions Y then Y is earlier, probably a hundred years earlier than X. This works well in some caes. Kural is mentioned in Silapathikaram and manimekalai.So kural is before that but silapthikaram date is also disputed. So how do you date kural.

Grammer

Thirukkural does not adhere to the rules of Tholkappiyam, the Grammar book. This shows that this book has preceded Tholkappiyam which is not the widely held view.

Faith

Tiruvalluvar’s faith is disputed. There are claims he is Hindu, Jain, Buddhist and even christian , let us see.

Jain

• The phrase `malar misai Ekinaan'that appears in the first chapter. Roughly translated:malar misai Ekinaan = one who went towards or reached the flower. If the meaning for the verb Ekuthal'is given . scholars say `malar misai Ekinaan' is Mahavira. It seems the iLangO adikaL in his work `silappadhikaaram' uses the same phrase to refer to Mahavira.
  
• The third kural, in the first chapter is translated by Prof. P.S.Sundaran as: Long life on earth is theirs who clasp. The glorious flower-embedded feet In his notes he writes: "Flower-embedded feet may refer either specifically to Aruhan, the Jain God who is usually represented as standing on a flower, or to God in general whose seat is not only in haven, but also in the flower-shaped-heart of his devotees." "Aruhan" (Arhant) can be any one of the 24 Jinas.
  
• Comparing the kural verse with a verse in Bhaktaamar Stotra, composed by Mantungacharya. The 44 verses of Bhaktaamar praise the first Jina (just like the first chapter of Thirukkural), as mentioned in the last quarter of second verse: ... stoshye kilaahamapi tam prathamam jinendram .. I will also praise the first Jina. The second half of the 32nd shloka is: paadau padani tava yatra Jinendra dhatth, padmani tatra vibudha parikalpayanti.. wherever you put your feet, gods create lotus flowers. mostof the verses of the first chaper can also apply to Gautama Buddha, since he is also "one who has conquered his five senses",however the mention of Aadi Bhagavan make it clear that it is the first Jina being praised.
  
• Professor A Chakravarty identifies the author of the Tirukkural text as the same Kundakunda Acarya and identifies places in the South with him. He offer the opinion that the Kural was of his authorship, the only one he wrote in the local language of the Tamils among whom he lived and which he sent through a friend, or disciple of his to Madurai to get approval from the Tamil Sangam. But this theory of present date and has no basis.
  
• Tamil tradition identifies an Eladhi Nayanar in close proximity to Valluvar, Under these somewhat negative proofs,Kundakunda might have fathered the work and might have underscored the relationship of Eladhi Nayanar with the Valluvar of the Kural for among his own many names Elacarya is given as one. But this is a legend of 13th century making in supporting antiquity of another lengend avvaiyar.
  
• Section devoted to vegetarian food, the author distinctly condemns the Buddhist principle of purchasing meat from the butcher. Buddhists Say that they are not to kill with their own hands but may purchase meat from slaughter house. The author of the Kural in unmistakable terms points out that the butcher's trade thrives only because of the demand for meat. Butcher's interest is merely to make money and hence he adopts a particular trade determined by the principle of 'supply and demand'. Therefore the responsibility of killing animals for food is mainly on your head and not upon the butcher's. This is clear jain mind working against buddhist.
  
• The Jaina commentator of the Tamil work called Neelakesi freely quotes from this Kural, and whenever he quotes, he introduces the quotation with the words "as is mentioned in our scripture". From this it is clear that the commentator considered this work as an important Jaina scripture.
  
• Non Jaina Tamil work called "Prabodha Chandrodaya". This Tamil work is evidently modelled after the Sanskrit drama Prabodha Chandrodaya. This tamil work is in Viruttam metre, consist of four lines. It is also in the form of a drama where the representatives of the various religions are introduced on the stage. Each one is introduced while reciting a characteristic verse containing the essence of his religion. When the Jaina sanyasi appears on the stage, heis made to recite that particular verse from the Kural which praises the Ahimsa doctrine that "not killing a single life for the purpose of eating is far better than performing 1000 yagas". Kural was characteristically a Jaina work. Otherwise he would not have put this verse in the mouth of 'Niganthavadi' ( a Jaina).
  

Hindu

• The very arrangement of the book into 3 divisions (muppaal)is a vedic concept of Purusharthas, dharma, artha and kaama. He left out the 4 th division, Moksha, because adherence to the principles of the first 3 will automatically elevate one to Moksha or Liberation from the cycle of life and death.
  
• The compartmentalization of the ‘adhikaras’ into the mystic number 108 for Dharma (aram) and Artha (poruL) also is indicative of a definite plan to present his bookon the vedic notion of spirituality. The choice of the term, ‘Adhikaram’ itself for the chapters is indicative of the vedic practice of Yatho-desa paksham – which means the spread of control / influence by itself and its own sake, that is, the message of Kural will spread by itself the message of Purusharthas.
  
• The positioning of adhikaram, ‘voozh’ (destiny) after dharma (aratthu-p-paal)is also demonstrative of a Vedic influence. How-much-ever dharmic one may be, one can not stop or escape from the interference of ‘oozh’ or destiny is the message given at all ages, from Gita onwards (one has control over one’s actions only, not on the results) to Silappadhikaaram (oozh vinai urutthu vandhu ootttum)and this has been aptly given as a finale for Aratthu-p-paal.
  
• The only source book he quotes for all rules is the ‘nool’The ‘nool’ that he often speaks in kural is the Vedas and he has repeatedly glorified the ways the ‘Saandror’ or Aryans.
  “kadan enba nallavai ellaam kadan aRindhu
  saandraaNmai mEr koLbhavarkku.”
  “saman seidhu seer thookkum kOl pOl amaindhoru paal
  kOdaamai saandrOrkku aNi”
  
• Brahmins (anthanar) and Vyakarana sastras (725)are the respected ones he looks at, for any reference to acts of dharma.
  
• Devas and their habit of receiving Havis from humans are often mentioned by him.
  
• He disapproves animal sacrifice in yajnas but not yajnas themselves,giving indication of his leanings towards vedic practices and his willingness to usher in modifications – which is what sages too had said for kali yuga.
  
• The Vamana avatara is clearly mentioned in kural 610 where he tells that the king must be like “ulagu aLandhaan”,Vamana in conquering worlds.
  
• He makes a veiled mention of Rama’s valour in kural 773 for showing mercy to the enemy in the war field when he is down in spirits. Most important of these is his veiled reference to Rama in his opening verse.These ancient norms of poetry were aimed at spreading and preserving the greatness of the Lord or God who had been praised by the poet. The praise of the Lord to live long can not just be empty words but it also must incorporate certain features that help in making the Lord and his name immortal.We come across such norms in Choodamani nigandu, given as sutras and Thirukkaural had followed these ancient norms and had indicated his Lord, his Ishta devatha as Rama!! One will be surprised to know that these norms were in tandem with certain rules of astrology, meant for longevity and greatness!
  
• Thiruvalluvar begins his book with a worship of god.The Akaara Brahman is indicated in his very first verse as also the Bhagam (6 qualities) of Bhagavan – a vedic concept.Akaara Brahmam is equated to Vishnu in Bhagavad Gita.
  
• He has indicated his God – ishta devatha in this verse – ‘agara mudala..’
  It has been a practice in ancient times for the poets to reveal their God or Lord or the Lord of the song (paattudai-th-thlaivan)in their first verse as a puzzle. Thirvalluvar too had done that.
  
• Vaiyapuri Pillai has said:"There are many couplets of the Kural that are either translations or
  adaptations of Manusmriti”, such as:
  - Kural 57 and Manusmriti IX:12
  - Kural 41 and Manusmriti III:78. This verse of smriti, Pillai points
  out, has been reiterated by Tiruvalluvar more than once.
  - Kural 396 and Manusmriti II:218 "
  
• He talks about "destroying the five senses", which you can see in upanishads and bhagavat gita. Concept of multiple birth is a hall mark of Hindu dharma. Undoubtadly, TiruValluvar endorse future birth. Destruction of ego: this is another characteristic aspect of Vedic religion.
  Kural - 346
  Who kills conceit that utters 'I' and 'mine',Shall enter realms above the powers divine.
  He who destroys the pride which says "I", "mine" will enter a world which is difficult even to the Gods to attain.
  Kural - 348
  Who thoroughly 'renounce' on highest height are set;The rest bewildered, lie entangled in the net.Those who have entirely renounced (all things and all desire) have obtained (absorption into God); all others wander in confusion, entangled in the net of (many) births.
  Kural - 349
  When that which clings falls off, severed is being's tie;All else will then be seen as instability.
  At the moment in which desire has been abandoned, (other) births will be cut off; when that has not been done, instability will be seen.
  Kural - 350
  Cling thou to that which He, to Whom nought clings, hath bid thee cling, Cling to that bond, to get thee free from every clinging thing.
  Yama, the god of death, a Hindu entity
  Kural-269
  E'en over death the victory he may gain,If power by penance won his soul obtain.Those who have attained the power which religious discipline confers, will be able also to pass the limit of Yama, (the God of death).
  
• Kural-24 to Kural-27 is without any doubt part of the Upanishadic, Yogic and Tantric traditions.
  Kural-24
  He, who with firmness, curbs the five restrains,
  Is seed for soil of yonder happy plains.
  Kural-25
  Their might who have destroyed 'the five', shall soothly tell
  Indra, the lord of those in heaven's wide realms that dwell.
  Kural-26
  Things hard in the doing will great men do;
  Things hard in the doing the mean eschew.
  Kural-27
  Taste, light, touch, sound, and smell: who knows the way
  Of all the five,- the world submissive owns his sway.

Christian

•  Deivanayagam, has claimed ' Porivaayil Aintavittan' has reference to Jesus Christ, who sacrificed himself in human form with the five senses complete, on the symbol of the cross, so that humanity may be redeemed and ennobled towards an eternal life.
  
  
• M Deivanayagam says Thiruvalluvar was a Christian and a disciple of St.Thomas and most of the Saiva Sidhantha and the vivid knowledge found in Thiruklural were nothing but the sayings of The Bible.

This is just attempt to spread christianity and there is no basis of this claim.

Translation

It is maintained by a well known Tamil scholar that the work is a faithful translation of the Dharmasastra by Bodhayana. Many Sanskrit words are found in this Kural and from among the traditional doctrines some are also treated therein. Let us see.

This Bodhayana Dharma Sastra, since it is based upon the traditional Varnasrama, keeps to the traditional four castes and their duties. According to this conception of Dharma, cultivation of the land is left to the last class of Sudras and would certainly be infra dig for the upper class to have anything to do with agriculture. The author of Kural, on the other hand placed agriculture first among the professions. For he says, "living par excellence is living by tilling the land and every other mode of life is parasitical and hence next to that of the tiller of the soil".

 

Another interesting fact mentioned in Dharma Sastras is the mode of entertaining guests by the householders. Such an entertainment is always associated with killing a fat calf; the chapter on guests in Bodhayana Dharmasastra gives a list of animals that ought to be killed for the purpose of entertaining guests. This is necessary part of Dharma and violation of it will entail curse from the guests in the firm belief of those who accept Vedic ritualism as religion. A cursory glance at the corresponding chapter in the Kural will convince any reader that Dharma here means quite a different thing from what it means in the Dharma Sastras of the Hindus. Hence we have to reject this suggestion that the work represents merely a translation of the Dharma Sastras for the benefit of the Tamil reading people

What scholars opine about Tirukkural.

• There is a distinct intellectual relationship of  the Arathupal of Kural with  the Ramayana, Mahabharata, Parasara Samhitha, Srimad Bhagavatham, Rg Veda and 
• Porutpal has very many similarities with Kamanthaka Neeti, Artha Sastra of Kautilya, Sukra Neeti, Bodayana Smrithi 
• Kamathupal reflects many a thoughts from Kama Sutra of Vatsyayana. (Sri V.R. Ramachandra Dikshidhar)
• More than twenty five pure Sanskrit words have been borrowed from the Sanskrit Language and incorporated  in the body of the Kural by Valluvan as well as according to Mr.Vyapuri  Pillai  time it was written in the 6th century AD.  (S. Vyapuri Pillai)
• Aran, Iyalbu, Ottrar, Duthar Adhikarams in Kural reflects the thinking of Kautilya's Artha Sasthra (S. Vayapuri Pillai) 
• Valluvan did codify the Kural in the present format and there has not been much of any differentiation in presentation from its time of origin. 
• What Kural says in Tamil has been told by various rishis in Sanskrit which can be found in the very many ancient philosophical literature available in India.  
• One of the most important points to note is, in Kural Valluvan has never discussed the Tamils, by name, nor has he referred to the various Tamil  kings of the Chera, Chozha and Pandiyan dynasties and their histories.  In contrast, they are available in plenty in the Sangam Literature.
• Valluvan has never used the word Tamil or Tamizhan in the Kural. 
• Neither does Valluvan talk about the life and times of Tamilians in Tamilnadu, in his Kural.

Sources
Non Random Thoughts
S. N. Srirama Desikan, Research Scholar - Tirukkural published by Ganghai Puthaga Nilayam, Chennai 1991

Origin of Idly

Simple dish Idly has been in controversy regarding the origin.

Idly in literature
‘iddalige’, first mentioned in a Kannada work Vaddaradhane of Sivakotyacharya in 920 AD. The Sanskrit Manasollasa of 1130 AD has ‘iddarika’. Tamil apparently only first mentions ‘itali’ in the 17th century.

Gujarati origin
Gujarat have IDADA which is steamed dhokla made from same ingredients as Idly.Namely Urad dhaal and Rice which are fermented overnight and next day steamed.Gujarathis claim Idaly is a dish which came to south from Gujarat during 10/12th century AD.when lot of silk weavers from saurashtra came to south via Maharashtra.The dukkia is first mentioned in AD 1068 in Gujurathi Jain literature, and dhokla appears in AD 1520 in the Varanaka Samuchaya. Besan flour is fermented overnight with curd, and steamed in slabs which are then cut into pieces and dressed with fresh coriander leaves, fried mustard seeds and coconut shreds. A coarser version is khaman and both are popular breakfast and snack foods in Gujurat. But we have to note that Gujart was ruled by chalukyas and Rastrakutas for many centuries before that and Idada may be from iddalige. Since we dont find references to that before that.

Indonesia origin
Acharya notes:the use of rice grits along with urad dhal,the long fermentation of the mix, and the steaming of the batter to fluffiness. Only after 1250 AD are there references to what seem to be idlis as we know them. Achaya’s contention is that this absence from the historical record could mean that idlis are an imported concept — perhaps from Indonesia which has a long tradition of fermented products, like tempeh (fermented soy cakes), kecap (from where we get ketchup) or something called kedli, which Achaya says, is like an idli. This is plausible enough given the many links between Southeast Asia and South India, through rulers and traders. Acharyra also adds many legendary stories ,but there is no basis for them. When we look forward to literary evidences in Indian literature , Acharya does not give any in Indonesia.
Heuan tsang says no steaming vessels south india in seventh century.But steaming vessels are not required for steaming dishes , steam can be produced using cloth over the vessel, still this method is used in south India.

Karnataka origin
Vaddaradhane by Shivakoti Acarya ( Rashtrakoota times)of the 10th century names Iddalige ( Idli ), Holige (Poli) and Savige ( Vermicelli). The 12th century encyclopedia Manasollaasa of Somashekhara Ballala III (Kalyani Chalukya) is a veritable treasure house of recipes and cooking styles. Lets not forget that these were empires with catholic tastes and wide trading hinterlands.

Tulu and kannada dishes
Many old words appearing in the Vaddaradhane,but extint now in modern Kannada, are existing still in Tulu even now.Like "muttukadi","baikam"(Baikampadi) etc. Hale(Old) Kannada and Tulu shared many words. They also should have shared rice dishes like iddli(<-iddalige). We are handicapped by the absence of Tulu texts dating back to 10th C. AD or older ones.Compare this with the numerous leaf based steam cooked Tulu rice dishes similar to iddli in technology.However it is difficult to trace the antiquity of these leaf-wraped precursors of iddlis. Since,leafy vessels are more primitive designs than the more modern iddli cooking vessels, Tulu disheslike moode,gunda,kotte etc., can be said to be actual ancestors of the modern iddlis.

The first appearance of the term in the literature need not mean the origin of the dish around that time, so the origin of this delicious dish has to be karnataka. So Idli is defintely a Karnataka dish.